President Obama is a alien lizard from outer space.
It’s not the claim of opponents of the President’s healthcare reform efforts. Instead, it seems to be the allegorical underpinning of ABC’s reimagining of the early 1980s television miniseries V.
Anyone who has sat through an honors high school English class where they read George Orwell’s Animal Farm can attest to the power of achieving political commentary through the use of allegory. As it turns out, a pig is not always just a pig nor is a horse always just a horse. In the case of V, a story about an alien invasion is not just a sci-fi yarn about visitors from another planet.
An article from Slate this week poses the question “Is V a political allegory?”:
More than a few journalists and bloggers have remarked that it’s possible to read V as an allegory hostile to President Obama and sympathetic with the birthers and other nutcases who believe him to be a wolf in sheep’s clothing. The charismatic Visitors load up their “bandwagon” by “spreading hope.” In using their sophisticated iguana technology to provide free medical services, they promise “universal health care.” Indeed, if the show is to have the symbolic import that we expect from a science-fiction story, this is the only possible way to read V as a coherent text.
The original miniseries, which aired in 1983-84, did not seem to hide its message. The Visitors from the series were painted as Nazis, building upon a generation still very familiar with the ramifications of WWII and the Nazi occupation of Europe. Still entrenched in the Cold War, it had a resonate message for American audiences.
